I feel like I live in two worlds sometimes, managing the parallel lives of two people whose realities are totally different.
In one world, I'm subject to the whims of two tiny people with a never-ending string of needs. I sweep the floor three times a day and still have crumbs stuck to my socks, I don't go more than 15 minutes without answering the question "Why?" and I always seem to be feeding someone else and eating my own meals cold.
In the other, I'm prepared and put together. I post well-crafted sentences and hold conversations with other adults, conversations I actually manage to contribute to in an intelligent way. I have a profile picture that always looks happy and has clean hair, even when the real-life me doesn't. This is a world of filters that act as rose-colored glasses.
Take a guess which one is more tempting to spend time in.
We're all drawn in by the lure of the online world with its promises of connections real people through social media, and building real influence by pouring into an audience, building a platform like a stage with steps as high as you can.
Sometimes I picture it like the Castle in the Air from The Phantom Tollbooth. Milo, the boy hero of the story, has spent the whole book working to reach the Castle in the Air to rescue two sisters, Princess Rhyme and Princess Reason.
Just before reaching his destination, Milo is distracted by a whole host of monsters: a faceless gentleman who assigns Milo an endless string of pointless tasks that will take hundreds of years to complete, the Demon of Insincerity who proclaims himself to be much more than he is, the Gelatinous Giant who tells Milo that being different isn't safe.
The monsters chase Milo to the stairs of the castle, where a Senses Taker again distracts Milo from his real goal by asking a series of increasingly trivial questions. Just steps away from the Castle in the Air, and Milo has forgotten all about the princesses and the demons. Only an explosion of unexpected laughter make him snap out of it.
The Phantom Tollbooth is an allegorical children's novel published in 1961. It's nearly 60 years old, but I don't think it's ever been more relevant than it is now.
The real world, the one that's messy and filled with hard work, is so much less appealing than the promises of the online world. But the real world is where we live, with our children and spouses and friends and family. The real world is where the magic of creativity happens. It's where we're called to be: here.
Portions of the online world are real, like the genuine friendships we can form and the words we can share that might otherwise stay hidden away in a notebook on our nightstand. But most of it? It's all smoke and mirrors, distractions and insincerity.
But allegories can never reflect real life perfectly. Social media and platforms have their place, especially for creatives who want their work to mean something and impact others.
So how do we balance it all without getting pulled away from our real goals? That's the question Abbie and I are tackling in this week's episode of Chasing Creative. Head here to give it a listen: Social Media and the Creative Life.
We don't have all the answers (or any answers, really), but we do have the hope that Princesses Rhyme and Reason gave Milo: it's okay that the journey takes a little longer than it might have as long as we learn from our mistakes and carry the lessons with us always.